Orca Concert Series Director Sean Osborn has traveled the world as soloist and chamber musician, and during his eleven years with the Metropolitan Opera Orchestra. He has also appeared as guest principal clarinet with the New York Philharmonic, Pittsburgh Symphony, Seattle Symphony, and the American Symphony Orchestra. The New York Times dubbed him “…an excellent clarinetist,” the Boston Globe called him “…a miracle,” and Gramophone “…a master.”
With over forty concertos in his repertoire, Sean has also recorded dozens of CDs for London, Deutsche Grammophon, Sony, Albany, and others, as well as premiering works by Philip Glass, John Adams, John Corigliano, Chen Yi, and Jennifer Higdon to name a few. He has performed at many festivals including Marlboro, Seattle Chamber Music, Aspen, Zagreb Bienalle, Pacific Rims, and Colorado.
Sean has received grants from many organizations, including the NEA and the Aaron Copland Fund. He is also an award-winning composer whose works have been played by the London Philharmonic Orchestra, and members of the New York Philharmonic, Metropolitan Opera, Marlboro Music Festival, and the Los Angeles Philharmonic among others. As an educator, he has presented over 100 master classes around the world, developed many multi-media educational series, and served on the faculty of the University of Washington and the Cornish College of the Arts.
Jeffrey Barker joined the Seattle Symphony as Associate Principal Flute in 2015. Previously, he played as Principal Flute of the Boise Philharmonic starting in 2009. He has also performed with top orchestras around the country and the world, including the Detroit Symphony Orchestra, the Pittsburgh Symphony Orchestra, the Oregon Symphony, and the Singapore Symphony. Jeffrey is passionate about using music to connect with his community. He is a recipient of the 2018 Ford Musician Award for Excellence in Community Service for his work with people in Seattle experiencing homelessness through the Seattle Symphony’s Simple Gifts Initiative. He received his Bachelor of Music degree from the Eastman School of Music under the instruction of Bonita Boyd, and his Master of Music degree from Carnegie Mellon University, where his teachers were Jeanne Baxtresser and Alberto Almarza.
Violinist Jennifer Caine Provine was a first prize winner of the Yamaha Music Foundation of Europe Competition and recipient of several awards and grants including the Royal College of Music’s Isolde Menges Prize for solo Bach. She has concertized throughout the U.S. and Europe in venues including the Phillips Collection, Weill Recital Hall at Carnegie Hall, and the Glinka Philharmonic Hall in St. Petersburg, Russia.
Jennifer is Associate Concertmaster of the Pacific Northwest Ballet Orchestra, and violinist of the Volta Piano Trio (formerly Icicle Creek Piano Trio), with whom she has performed extensively throughout the Northwest and abroad, been heard on national radio stations, and recorded two discs on the Con Brio label to critical acclaim. She was assistant director and resident violinist at the Icicle Creek Music Center from 2007-2010.
Jennifer regularly appears on several Northwest chamber music series, and performs frequently with the Seattle Symphony. She is a graduate of Harvard University with a B.A. in Music and Slavic Languages and Literatures, and holds Masters Degrees from the Royal College of Music (London) and Oxford University.
Li-Tan Hsu is currently a Collaborative Artist in Residence at Music Division in Seattle University, and attended the University of Maryland for a DMA in Collaborative Piano. She also received a MM and BM at the Peabody Institute of the Johns Hopkins University. Ms. Hsu was on the faculty at Peabody Institute for 7 years before moving to Seattle in 2015. She was the official accompanist for Seattle Symphony Piano Competition, 2015, the official accompanist for Washington International Competition, 2012, and staff accompanist for Aspen Music Festival in 2007.
Mary Kantor received her Bachelor of Music degree from the University of Washington and graduated from the Academy of Music in Vienna with Honors in clarinet performance, class of Rudolf Jettel. She is currently principal clarinetist and Board President of the Lake Washington Symphony Orchestra. She also prerforms regularly with the Shalom Ensemble and the Sound Ensemble. As a soloist, she has performed the Mozart Concerto and Richard Strauss' Duet-Concertino with Philharmonia Northwest. Most recently, she taught at InterHarmony in Italy, July 2022, giving Masterclasses and performing on the faculty recitals.As an educator, she coaches the Seattle Youth Symphony, Cascade Youth Symphony and Bellevue Youth Symphony clarinet sections, and is Professor of Clarinet at Seattle Pacific University, as well as maintaining a private studio.
In 2012, five musicians from diverse backgrounds formed Kokopelli to explore a classic repertoire that is new to most audiences. From Brahms to the Beatles, Mozart to modern, Kokopelli has music for everyone.
Having performed with such diverse ensembles as the Berlin Philharmonic, Philadelphia Orchestra, Metropolitan Opera, Seattle Symphony, Volta Piano Trio, Pacific Northwest Ballet and other fine groups, these five musicians each bring a special skill set to this quintet.
Kokopelli
Juilliard graduate and Fulbright Fellow Rajan Krishnaswami has toured nationally and internationally as recitalist and soloist with orchestra. He has also performed with the Berlin Philharmonic, Seattle Symphony, and Seattle Opera.
Chamber music being his first love, in 2005 he founded Simple Measures, an innovative Chamber Music Series in the Puget Sound, WA area. His CD of new music for cello and piano, American Interweave, on the Ambassador label with his long time duo collaborator Mark Salman, includes two works that he commissioned.
Equally devoted to the arts of teaching and performing, he is well established as an important learning resource for serious cellists, both student and professional. He has been on the cello faculty of the University of Washington, and Cornish College of the Arts. Mr. Krishnaswami plays on a magnificent and historically important cello by J.B. Guadagnini, the ex-Davidoff, made in 1780
Soprano Maria Mannisto moves comfortably among a wide range of musical styles to international acclaim. As a soloist, she has performed with numerous esteemed orchestras such as the Seattle Symphony, Boise Philharmonic, Pacific Northwest Ballet, Seattle Metropolitan Chamber Orchestra, Everett Philharmonic, and Seattle Modern Orchestra. Maria's passion for modern and experimental repertoire has led her to become a sought-after interpreter of new works, including premieres by Wang Lu, Wayne Horvitz, Garrett Fisher, Jerry Mader, Tom Baker, and William O. Smith. She has performed and recorded with numerous ensembles such as the Tudor Choir, Flemish Radio Choir, Byrd Ensemble, and the Evergreen Ensemble. Beyond her accomplishments as a performer, Maria is deeply committed to community engagement through music. As the co-director of the Finnish Expatriate Choir, she leads a vibrant community of over 200 singers from 12 different countries, fostering cultural exchange and unity through the rich tradition and diaspora of Finnish choral music.
Maria Mannisto
Jennifer Nelson
Jennifer Nelson is currently Principal Clarinet with the Pacific Northwest Ballet and Auburn Symphony Orchestras. She also has a very active freelance career, including playing Broadway-style shows at the Fifth Avenue and Paramount Theaters, occasional extra with the Seattle Symphony and Opera Orchestras, and records for various television, video game, and motion picture scores. Jennifer is the clarinet teacher at the University of Puget Sound, and has had a private studio in north Seattle for many years. She has traveled throughout the United States with the national touring companies of Phantom of the Opera and New York City Opera, and her orchestral and recital performances have taken her to Mexico, Japan, Germany, Liechtenstein, Austria, Honduras, and most recently, India.
A member of the Seattle Symphony and Seattle Opera Orchestra since 1992,
bassoonist Paul Rafanelli has performed frequently on the orchestra’s
Chamber Music Series; he has also performed with the Walla Walla
Chamber Music Festival, Seattle Chamber Music Society, and Seattle
Chamber Players. Before joining the Seattle Symphony in 1992, Mr. Rafanelli
was a member of the Charleston (SC) Symphony Orchestra, and played at
the Festival dei Due Mondi in Italy and the Spoleto Festival USA. For 16
years he served on the faculty of the University of Puget Sound, where he was
the Affiliate Artist in bassoon. In October of 2021 he joined the faculty of the
University of Washington as Artist in Residence. Mr. Rafanelli was born in
Seattle in 1963 and received his training at the University of Washington,
Manhattan School of Music and The Juilliard School. He is fluent in Italian
and also speaks some German. His bassoon was custom made by the
Wilhelm Heckel Co. in Wiesbaden, Germany, in 1986.
Violist Laura Renz is a member of the Pacific Northwest Ballet orchestra, and also performs regularly with the Seattle Symphony and Seattle Opera. Before moving to Seattle, Ms. Renz has held positions in the San Antonio Symphony, the Austin Symphony, and the IRIS Chamber Orchestra. Ms. Renz is an avid chamber musician, participating in the Juilliard String Quartet Seminar, a residency in Lake Wales, FL, and the Focus Festival as a member of the Vaux String Quartet.
She has also performed at the Walla Walla Chamber Music Festival and with Simple Measures, among other groups. Ms. Renz participated in the New York String Orchestra Seminar, the Sarasota Chamber Music Festival, the Kneisel Hall Chamber Music Festival, and was a fellow at the Aspen Music Festival.
She is a graduate, summa cum laude, of the University of Michigan, and the Juilliard School, where she studied with Samuel Rhodes.
Mark Robbins is Associate Principal French horn with the Seattle Opera and Seattle Symphony Orchestra, and also a member of the Chautauqua Symphony Orchestra at the Chautauqua Institution, a summer festival for culture and the arts in upstate New York. He has been a featured soloist with the Seattle Symphony and Chautauqua Symphony Orchestra on a number of occasions and has frequently performed chamber music with the Seattle Chamber Players and the Seattle Symphony Chamber Music Series. He has performed at the Spoleto Festival in Italy, and the Sarasota, Tanglewood, and Olympic Music Festivals. Formerly he was a member of the Florida Philharmonic Orchestra in Miami. As an active teacher he coaches for the Seattle Youth Symphony Orchestra, and teaches at the Chautauqua Music Festival. He graduated from Temple University in Philadelphia where he studied with the late Kendall Betts.
Mark Robbins
Dr. Florie Rothenberg enjoys an active performing career, playing with several Seattle area concert and pit orchestras, including NOCCO, Pacific Northwest Ballet, Auburn Symphony, Symphony Tacoma and Tacoma Opera. She has worked in film scoring in Seattle, and has her own CD, “Voices of Trees, Modern Works by Women Composers for Clarinet and Piano”, available on Origin Classical Records. Splitting her time between performing and teaching, Dr. Rothenberg works with clarinetists of all ages and levels, drawing students from around the Puget Sound region. She has taught at Central Washington University and the University of Arizona, and is currently on the faculty of the University of Puget Sound Community Music. Dr. Rothenberg earned a D.M.A. from the University of Arizona, a M.M. from the University of Michigan and a B.M. from the University of the Pacific. Her teachers include Jerry Kirkbride, David Shifrin and William Dominik.
Mark Salman, hailed as a "heroic virtuoso," has performed in Europe, Asia, Canada and
throughout the United States, including Carnegie and Alice Tully Hall in New York, in
performances described as "powerful," "astonishing, exacting, evocative," "wildly
imaginative" and "touchingly lyrical. Mr. Salman is a co-founder of the Delmarva
Piano Festival in Rehoboth Beach, Delaware, which ran for seventeen seasons. His
performances have included appearances at the Newport Music Festival in Newport, Rhode
Island, an eight recital series devoted to the works of Franz Liszt in Seattle, three recitals
featuring Schubert’s final three sonatas, a complete cycle of Beethoven’s five piano
concertos and Choral Fantasy with Orchestra Seattle, a recital series celebrating Chopin’s
200th birthday, and a five recital series commemorating Liszt’s 200th birthday. Mr. Salman
is regularly heard as a concerto soloist with northwest orchestras, having performed over 30
different concertos with orchestra. Mr. Salman has performed the complete cycle of
Beethoven’s thirty-two piano sonatas on both coasts and in sixteen KING-FM broadcasts.
Mr. Salman is a Steinway artist.
Mr. Salman's recordings include his newest release, Schubert Late Sonatas, two all-Chopin
CDs, including Chopin’s Intimate Art: The Mazurkas, Mozart’s Piano Concertos K. 488
and K. 503 with the Northwest Sinfonietta, and The Transcendental Piano, featuring works by
Alkan, Beethoven and Liszt. www.marksalman.net
Susan Telford
Susan Telford has been a member of the Tacoma Symphony, Elgin Symphony, Evansville Philharmonic, several chamber groups and many summer festivals, as well as serving as substitute/extra with the Seattle Symphony, Seattle Opera, Pacific Northwest Ballet, and nearly every major ensemble in the Seattle area. As a studio musician, Susan has performed on countless movie and videogame soundtracks as well as many other recording projects. She has premiered numerous compositions by living composers as a solo, chamber, and orchestral musician. In addition to her private students, she has served as artist/faculty and woodwind coach of several institutions, including the University of Evansville, Midsummer Musical Retreat, and Seattle Youth Symphony. Susan is a graduate of the University of Washington and Northwestern University.
Dan Williams
Oboist Dan Williams is one of the Seattle areas most sought after soloist, orchestral musician and teacher. He is currently Principal Oboe with the Pacific Northwest Ballet and previously held the same position with the Honolulu Symphony. He is also frequently seen with the Seattle Symphony and Seattle Opera orchestras and in addition, teaches at both the University of Puget Sound and the University of Washington.
Dan received his musical training at the Juilliard School and Western Washington University, where he was voted most Outstanding Graduate by the Faculty.
Guy Yehuda is an associate professor of clarinet and artist-teacher at the Michigan State University College of Music. Hailed by composer John Corigliano as “One of the most awe-inspiring clarinetists today,” clarinetist Guy Yehuda is recognized as one of the most outstanding and unique talents on the international concert stage today. He has won several international competitions, such as the Heida Hermanns International Woodwind Competition and the Fischoff Chamber Music Competition as a gold medalist. Mr. Yehuda has toured extensively in Europe, North and South America, Israel, South Korea and China. As a principal clarinetist, he has performed with the Israel Philharmonic, Lucerne Contemporary Festival Orchestra, Chicago Civic Orchestra, Spoleto Festival Orchestra, Haifa Symphony Orchestra and Cincinnati Chamber Orchestra, among others, as well as guest clarinetist with the Chicago Symphony Orchestra and the Jacksonville Symphony Orchestra, and guest principal clarinetist with the Detroit Symphony and Grand Rapids Symphony Orchestras. Yehuda performed on tours of Europe and the U.S. under the batons of top conductors including Pierre Boulez, Zubin Mehta, Kurt Masur and Daniel Barenboim. He performed and collaborated with the world’s top composers and performers including Pierre Boulez, Steve Reich, John Corigliano, Menahem Pressler from the Beaux-Arts Trio, and the Dali, Cypress, Borromeo and Harrington String Quartets. A highly demanded musician, he has performed as soloist and chamber musician at the Spoleto, Verbier, Lucerne, Ottawa Chamber Music, Parry Sound, and Domain Forget festivals, and at the Israeli Chamber Music Festivals in Tel Aviv and Haifa.
Seattle-based clarinetist Rachel Yoder performs in a variety of solo, chamber, and large ensemble roles, including with the Seattle Modern Orchestra, Sound Ensemble, and Odd Partials clarinet/electronics duo. Known for her fearless approach to experimental music of the 20th and 21st centuries, Rachel frequently collaborates with composers, recently premiering clarinet works by William O. Smith, Joël-François Durand, and Greg Dixon. As a composer, her works for clarinet and electronics (Aspects/Respects, Self-Seed, and Domestic Loops) have been heard at international ClarinetFest conferences, and her live recording of Steve Reich’s New York Counterpoint at the Classical KING-FM studios has been featured on NPR’s “Performance Today.” Rachel is instructor of clarinet at Western Washington University and serves as editor of The Clarinet, journal of the International Clarinet Association.
Violinist Liza Zurlinden, a native of San Francisco, enjoys a career rich with chamber music, orchestral playing and teaching. Ms. Zurlinden has been a longtime member of the New Century Chamber Orchestra in San Francisco, and is a former member of the grammy-nominated chamber orchestra, A Far Cry, in Boston. She has performed with Orchestra of St. Luke’s in New York, Boston Modern Orchestra Project, the Pacific Northwest Ballet and the Seattle Symphony, and has enjoyed local collaborations with Byron Schenkman and Friends, Prison Concerts with Seattle Symphony musicians.
Ms. Zurlinden holds degrees from the University of Michigan, Rice University and SUNY Purchase.